Back ] Home ] Next ] COVER I TABLE OF CONTENTS I CONTINUES NEXT I

CABARET VILLE MAGAZINE. P314. CONT'D FROM P 313

World of Cabaret

Historically: Cabaret as a popular term all over the world, except in the United States means an intimate space for adults where striptease and nudity shows are offered; it is also  sleazy bars, house of prostitutions,  or nightclubs  where  adults can smoke, eat, drink, dance with women readily available to them and where customers searching for a “woman of the night” might get lucky and find one for the right price. Epistemologically, CABARET derived from a 15th century term meaning “taverne” tavern or even cellar, where artists, travelers and visitors from out-of-town, neighboring counties and distant cities could and would enjoy food and wine drinking. The term evolved throughout the centuries to include acrobats, jugglers, dancers, house singers (chanteuses de la maison), balladeers, fire eaters, magicians, stand up comics, satirists, strolling musicians, comedians, striptease dancers, variety shows, elaborate attractions, extravaganzas and appearances by renown singers, actors, actresses and artists. In the late 19th century and early 20th century, Cabaret added a large dimension to its aspect by focusing on “La Chanson” (song) and “Dance Des Femmes Nues” (Dance by Naked Women).                                                 

Photo, above: Can Can Dancers at “La Belle Epoque”

 

Photo, left: Cabaret Show at “Le Moulin Rouge” Cabaret, Paris, France.

In the United States, the song became the major attraction of Cabaret, while in Europe and all over the world, sensuality, sex, eroticism, nudity, mingling with women, “catching the women of the night for a price”, drinking and music remain the characteristics and predominant features of Cabaret. As simple as that! All these aspects were captured in time by the dawn of Cabaret in 1881. But, in addition to its sensual character, Cabaret became a center, a place, a circle for intellectuals, painters, artists, poets, writers, authors, composers, musicians, philosophers, dramatists and men and women of the arts, literature and humanities. In other words, Cabaret became a whole world for everybody. The first known cabaret or café-cabaret was “Les Hydropathes” (described in several parts of this work) followed by “Le Chat Noir” (also discussed at length in this work).  Of course, there are some serious modern cabarets in France that exclusively offer a musical repertoire “Tour de Chant” by a well-known singer, a headliner artist as it is the case in the United States but, this kind of Cabaret is to be looked upon as Concert-Cabaret  rather than simply  Cabaret

 

CONTINUES NEXT