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CABARET VILLE MAGAZINE. P285. CONT'D FROM P284

Wesla Whitfield's artistic  longevity  reached audiences and people of all walks of life

A picture of Wesla and Hillary Clinton at the WhitehousePhoto: Wesla Whitfield with First Lady Hillary Clinton at The White House.
 
Whitfield has long been a favorite with cabaret audiences, and the imaginative, often swinging musical settings provided by her pianist/musical director and husband, Mike Greensill, have placed her in an attractive jazz context as well...What they are doing with Rodgers and Hart is sheer magic, a definitive illustration of how to realize the art music qualities in popular song...Working in combination as a trio--voice, piano and bass--Whitfield, Greensill and Moore were brilliant, an incomparable blending of musical intelligence and dramatic sophistication."   Terry Teachout from the New York Daily News wrote: "Light up the skyrockets and put out more flags: Wesla Whitfield's back in town. The best cabaret singer in the world has set up shop at the Kaufman Theater with a one-woman show called "Life Upon the Wicked Stage." There's not much to it — she sings 20 songs and chats about the ups and downs of her career — but the talk is droll, the songs are wonderful and the singing is so good that you'll hug yourself with delight."
 
Whitfield, the Phenomenon.
A picture of Wesla, Mike and Michael Moore with Hillary Clinton and Tipper Gore at the Whitehouse
Photo: Wesla and husband Mike in the Blue Room at the White House after performing for Hillary Clinton and all the Senators Spouses.

Why is she so unique? What so special about her style and talent?

 

Every talented singer has to a certain extent, developed a very personal "song interpretation style" and a particular vocal virtuosity delivery. And the dimension of  creative delivery varies from one artist to another, depending on the nature of selected repertoire and the personality of the singer. In that sense, the nature, the taste and the artistic capabilities determine and shape the artist's stage presence. A certain conformity is required from performers who sing the songs of the golden era of Hollywood and Broadway. Nevertheless, many entertainers and singers took immense liberty in interpreting  songs according to their state of mind, personal feelings and life experiences and or  for divergent and convergent reasons. Some of those reasons are of a purely musical nature, and some others come to life in virtue of artistic and  vocal necessities. Other performers extended their artistic singularity and freedom to meeting the taste, the needs and music style preference (s) of their audience. Probably, this is why some very clever artists easily and gracefully transcended time and space and never fell pray to fashion, moda, trendy appeal and the changes of time and styles in the music business. Artists like Sinatra and Bennett knew this secret, thus, they were able to prolong their careers for so many years, at a time, when so many equally talented performers faded away. And this is how Wesla Whitfield's artistic  longevity  reached audiences and people of all walks of like who either never witnessed that vanished golden era, or were never brought up to appreciate it. Thanks to Wesla's multi-dimensional and ever evolving talent, she was able to transcend dogmatic rules and traditional performances pre-requites, and reach for older, old, young and younger audiences by incorporating in her repertoire the music of yesteryears nourished with a modern flair and  a tempo-ambiance, today's audience tend to prefer. In addition, Wesla made her own rules and enlarged the perimeter of performance excellence by sculpting  an almost perfect sense of phrasing which magically and very tenderly reached the hearts and souls of multi-varied and demanding audiences. She brought to the traditional world of cabaret music, a very intimate, warm, pensive and personal musical and vocal interpretation which defied conventionalism. This delightful defying and charmingly innovative creativity is illustrated in the way she looks at her audience, and in an eloquent silence pauses for a moment or two, gazes into your soul, flirt with your thoughts, pauses briefly for another uninvited seconds when you don't expect her to do so, and with a soft elan, she recaptures the lyrics with a gentle explosion of lyrical finesse, intimate musical tenderness, and surrounding you with an unusual  "feeling of hearing those old songs" for the first time. And that is her alarming magic! In other words, she captures the nostalgic moments of an era you learned about but never lived it, yet, unconsciously you revisit those delightful passages of time, exactly  the way you want to feel them, sense them, metamorphose with them , grow with them and takes them home with you. This is how exactly a brilliant and clever singer vanquishes and overcomes the changes of time. Wesla mastered that secret and throw it on stage in splashes of remembrance, nostalgia, romanticism and living reality. CONTINUES NEXT