CABARET VILLE MAGAZINE.
P206.
NEW YORK'S
MUSIC MEGA ENTREPRENEURS
CHAT
WITH MARJORIE MAYE
Q- Why is that?
A- Young girls because of the pop stuff I've written for lots of young
artists. I co-wrote “Strawberry Kisses," the single for Nikki Webster,
this incredible 12 year old artist in Australia. Same song was then
translated into Portuguese and released with Brazils Pop Star winners, a
girl's group on Sony called "Rouge" they went 10x platinum. The middle
aged Men and older Women, tend to be more familiar with artists like "Celine
Dion", and would be most likely listening to the adult contemporary music.
Q- Who is your best audience? Why?
A- Teens. I have written a lot of young pop music, because it was so in
demand for a while, but now the audience is growing, thankfully, and the
lyrical content can get deeper.
Q- What are your best qualities as an artist?
A- My versatility and my tenacity. Q- And as a woman?
A- My sensitivity.
Q- Tell me about the best few lines you wrote?
A- It's hard to choose my favorite, but I really like this one:
"she can
hear the whispers at the garden wall
she can feel the rhythm as the thoughtless ocean rolls
Over castles in the sand that couldn¹t stand the test of time
All that¹s left is what she gets from living in her mind"
-- Verse from "She
Dreams". Q- And the very first lines of the very first song you wrote?
A- First song I ever wrote was back in 1989, it was called " Time for Déjà
vu"
First lines were:
"I've lived it all before, I¹ve cried these tears and more
It seems like déjà vu whenever I see you"
Q- And what happened next? Did you keep what you wrote, store it, forget
about it or sell it?
A- I demoed it. Never placed it with an artist though.
Q- Does it happen to you (sometimes) that some superstars with whom you
work don't like your music or lyrics?
A- If they are working with me they usually like most of what I do. But,
sure, sometimes I’ll need to change a few lines, because the artist is
relating to most of it, but doesn’t feel a particular line is true to who
they are, or sometimes the artist is very young, and a line needs to be
changed because it’s too suggestive.
Q- Then, how you deal with it? What do you do next?
A- I usually make the edits. I want the artist to really feel the song in
their heart. If they don’t believe it, how can their audience.
Q- Have you ever had any unpleasant experience on stage, with producers,
singers, peers?
A- Not really. I must just be lucky, I haven’t had any kinds of problems.
I work, with the coolest group of writers producers and singers.
Q- Did you write your "masterpiece" or not yet?
A- I don’t think I’ve created it quite yet. I’ve written some really solid
songs, some of which I’m especially proud of. Unfortunately, the ones that
get cut and become hits are not always the ones you love most.
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Q-
Any advice to all those aspiring artists who need a break?
A- Surround yourself with the most amazing undiscovered talent you can
find. Today's demo singer who nobody knows, or the great arranger working
in his basement may one day be the next big sensation, so just work with
talented people and be loyal to them. Most successful artists come with
camps of people who got them there.
Q- What they should do
when they are rejected?
A- Stick around. Don¹t give up and don¹t take it too personally, hone your
craft and keep going. Don't get jaded. People can tell when you are.
Stay positive and keep creating, and when you've created the best thing
you think you can create, start something else and make it even better.
Q- What are the 3 most important qualities in a writer and a composer?
A- Wit, versatility and humility.
Q- Do you have those qualities?
A- I¹d like to think so.
Q- And the 3 most important strengths?
A- Creativity, Cleverness, and the inability to settle
Q- Your favorite foreign singers and songwriters?
A- Dan Hill is one of my favorite writers and Celine is one of my favorite
singers, both are from Canada, does that count as foreign?
As for overseas artists, I'd say Andrea Bocelli.
Q- And American favorite torch singers?
A- It would have to be Whitney Houston.
Q- Do you get mad sometimes?
A- Sure.
Q- What makes you mad?
A- Stupidity and incompetence.
Q- And do you make people mad at You?
A- Sure. Who
doesn't?
Q- Did your good looks help you in your career?
A- A pleasant appearance seldom hurts. So yes, it may have helped in
meeting industry professionals. But I always remember what my father told
me, "Good looks may get you in the door, but they won't keep you in the
room. Once you have their attention, you better have the substance to back
it up."
Q- Do you produce other's work?
A- I mostly produce what I write.
Q- What do you require as a prerequisite from those aspiring artists who
knock on your doors?
A- Some sort of vocal sample and a photo. It doesn't have to be a fully
produced demo, it could be as simple as a piano vocal, you can usually
tell when someone has that something special right away.
Q- Do you go by the book in giving a chance to others, or just you follow
your intuitions?
A- Intuition.
CONTINUES NEXT
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